A vibrant, lively one-key baroque traverso in boxwood with faux ivory mounts and distinctive pink accent rings. The flute plays freely and with good projection in both pitches, with a particularly animated quality at baroque pitch (A=415).
Two center joints are included, one for A=415 and one for A=440, giving the player flexibility across period and modern contexts. The key is a single Eb/D# key. The cork stick is bored to match the flute's bore, which is smaller than the modern 19mm standard; the cork plays best pulled out slightly from the seated position.
The flute is in good overall condition and has seen very little use in recent years. A spring was replaced and a cork bumper added at some point in the instrument's early life, consistent with normal maintenance. The maker's stamp on the back of the headjoint was sanded off at some point in the flute's history. When the wood is played in and humidified, the compressed grain of the original stamp rises slightly and is almost legible, appearing to read something like "CA--S / 124," but the maker cannot be confirmed from the stamp in its current condition.
The flute was purchased from the Von Huene Workshop in Brookline, Massachusetts, around 2010. The Von Huene Workshop was founded in 1960 by Friedrich von Huene, a pioneer in the reproduction of historical woodwinds, and has long been one of the foremost sources for baroque flutes in North America. Von Huene's own Grenser copy, which this flute resembles in configuration, is based on an original in the Germanisches Nationalmuseum in Nuremberg, made of boxwood with ivory rings and supplied with multiple center joints spanning a pitch range from slightly below A=415 to approximately A=440.
Condition: Used - Excellent
Condition: Details:




